This Week in Regulation for Broadcasters: June 19, 2021 to June 25, 2021

By |2021-06-27T10:23:05-05:00June 27th, 2021|Legal News|

Here are some of the regulatory developments of significance to broadcasters from the last week, with links to where you can go to find more information as to how these actions may affect your operations. Congressmen Ted Deutch (D-FL) and Darrell Issa (R-CA) introduced the American Music Fairness Act which would impose a royalty payable... Continue Reading…

Copyright Royalty Board Announces SoundExchange Audits of Royalty Payments for Webcasters (Including Broadcast Simulcasts) and Other Digital Music Services

By |2021-01-08T11:25:53-06:00January 8th, 2021|Legal News|

The Copyright Royalty Board today published a Federal Register notice announcing that SoundExchange was auditing a number of broadcasters and other webcasters to assess their compliance with the statutory music licenses provided by Sections 112 and 114 of the Copyright Act for the public performance of sound recordings and ephemeral copies made in the digital transmission process by... Continue Reading…

Copyright Royalty Board Announces SoundExchange Audits of Royalty Payments for Webcasters (Including Broadcast Simulcasts) and Other Digital Music Services

By |2021-01-08T11:25:53-06:00January 8th, 2021|Legal News|

The Copyright Royalty Board today published a Federal Register notice announcing that SoundExchange was auditing a number of broadcasters and other webcasters to assess their compliance with the statutory music licenses provided by Sections 112 and 114 of the Copyright Act for the public performance of sound recordings and ephemeral copies made in the digital transmission process by... Continue Reading…

Pre-1972 Sound Recordings and the July 8 SoundExchange Filing Deadline

By |2019-05-20T11:19:23-05:00May 20th, 2019|Legal News|

Recently, the Radio Music License Committee sent out a memo to broadcasters about a July 8, 2019 SoundExchange payment deadline for pre-1972 sound recordings.  As with everything in copyright law, the issues surrounding pre-1972 sound recordings are complicated, and the RMLC notice, while seemingly straightforward, still resulted in our receiving lots of questions.  These questions...… Continue Reading

Florida Supreme Court Rejects Public Performance Right in Pre-1972 Sound Recordings – What’s Next?

By |2017-10-27T09:19:14-05:00October 27th, 2017|Legal News|

In a decision this week, the Florida Supreme Court rejected claims by Flo & Eddie (of the 1960s band the Turtles) that there was a common law public performance right in pre-1972 sound recordings in the state of Florida (the opinion is available here). The Florida court, after examining numerous avenues of argument, concluded that...… Continue Reading

Bill Proposes to Make the Register of Copyrights a Presidential Appointee

By |2017-03-28T11:17:46-05:00March 28th, 2017|Legal News|

The Copyright Office is now a part of the Library of Congress, with the Register of Copyrights (the head of the Copyright Office) appointed by the Librarian of Congress. As part of its plans to review the Copyright Act, the House Judiciary Committee asked for comments earlier this year about structural reform of the Copyright… Continue Reading

Understanding the Murky State of the Performance Right in Pre-1972 Sound Recordings – Florida Court Rejects the Right yet Sirius XM Settles With the Record Labels

By |2015-07-01T21:11:08-05:00July 1st, 2015|Legal News|

It’s another summer with music copyright issues hitting the press almost every day. Over the next week or two, we will try to catch up on some of the legal issues raised by all the music news. First, let’s look at the significant actions in the last ten days in the battle over whether there… Continue Reading

Copyright Royalty Board Begins Hearings on Webcasting Royalty Rates for 201-2020 – When Will We See a Decision?

By |2015-04-29T10:39:59-05:00April 29th, 2015|Legal News|

The Copyright Royalty Board has begun the hearing phase of its proceeding to set the royalties to be paid by webcasters (or noninteractive digital music services) for public performances of sound recordings for the years 2016-2020. These are the royalties paid by Internet radio companies to SoundExchange, allowing them to play any recorded music legally… Continue Reading

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